The Foundation’s- The
Idea of India
Speech by Shabana
Azmi – 22nd Feb. 2014
Good
evening ladies and gentlemen.
Rahul
Bose’s commitment to the Foundation is that of a missionary. I have watched him
from the beginning of this journey and feel privileged that he has included me
in ‘this path less traveled by’.
For today’s
event I have watched him become a one man army. It has taken him two years to
put this together – involving people of such repute as are present this
evening. He has been both the Chairman of the Foundation and its Peon. More
power to you Rahul and thank you for including me.
I’ve been
asked to speak on ‘The Idea of India’. I’d like to begin with a sher of my
father-in-law the noted Urdu poet Jan Nisar Akhtar.
Tu is qadar
mujhe apne qareeb lagta hai.
Tujhe alag
sey jo sochoon ajeeb lagta hai
India is in
the air I breathe. India is in the fragrance of the mogra, India is in the
poetry of Kabir, Ghalib and Tagore, in the strains of Pt. Ravi Shankar’s sitar.
India is the silence of meditation in the muted serenity of the Himalayas.
India is also a cacophony – loud weddings, louder prayers, honking horns and
shouting TV anchors.
India is a
country that lives in several centuries simultaneously – She lives back to back
in the 17th , 18th, 19th , 20th and
21st centuries and her people at any given time and place
encapsulate all the contradictions that come from being a multi religious, multi-cultural,
multi lingual and multi ethnic society. Her rich diversity, her inherent
pluralism is both her strength and her weakness. Her diversity makes her unique
but it also makes her seemingly impossible to govern.
India
exudes beauty: the white symmetry of the Taj Mahal, the vibrancy of Madhubani,
the colors of Kutch, the carvings of Konark. Yet India is a visual sore:
garbage mounds, discarded plastic bags and open gutters.
India is an
olfactory assault: smoky air, putrid drains, and burning cow dung. Yet India
floats the fragrance of agarbatti, the smell of coconut and the seduction of It.
India is a
story of lost opportunities, unresponsive governance; the abode of illiterate,
poor, blind and the sick. But India is dreams and soaring aspirations of the
young the energy of entrepreneurs, and feisty spirit of voluntary
organizations.
India
assaults sensibility with its women abusers walking with impunity amongst the
goddess worshippers; with starving children living next to warehouses with
rotting food. But India offers hope with Democracy a Constitution and a Justice
System.
To me the
idea of India is simple. She is a Secular Democratic Republic and her greatest
strength is her composite culture – her ganga- jamuni tehzeeb.
I was
raised in a commune like flat of the Communist party which was called not
surprisingly The Red Flag Hall. Comrades like the great Urdu poet Ali Sardar
Jafri, my father Kaifi Azmi and eight other families had just one small 280 sq.
ft. room each with a strip of a balcony that was converted into the kitchen.
Eight families lived together with just one bathroom and one toilet. My father
was a whole timer and would get only 40 rupees to look after my mother, my
brother and me. So there was never any money but it didn’t seem to matter at
all because the residents of Red Flag Hall were tuned to the sound of a
different drummer, they were committed to a larger goal. They were determined
to struggle for social justice, gender sensitivity and celebration of India’s
composite culture. All festivals were celebrated with much fanfare – Holi,
Diwali, Eid, Christmas. As kids we were taken to the Sarvajanik Ganesh Pandals.
On 26th January we would be put in a truck and taken to see the
lights at Chowpatty – we imbibed India’s pluralism almost by a process of
osmosis.
Today
however that pluralism seems to be under threat. Communalism is raising its
ugly head and permeating into all stratas of society. Religion is being used by
Fundamentalists of all hues to divide people for vote bank political
mobilization. Mobocracy is threatening the very tenets of Democracy and much
more needs to be done to stem the rot. We
need to recognize the signs of danger around us. It is said that if you put a
frog in a cauldron of boiling water it jumps out and saves itself. But if you
put it in tepid water and gradually turn the temperature on the frog doesn’t
realize it till it is too late and dies. We are like the frogs who do not
realize that the temperature around us is being heated up and very soon it
might become too late.
If you ask
me who I am I will say I am a woman, an Indian, a daughter, wife, actor,
Muslim, Mumbaikar etc… my being Muslim is only one aspect of my identity and
yet in India today it seems as though a concerted effort is being made to
compress identity only into the narrow confines of the religion one was born
into at the cost of all other identities! But this is a construct; it is not
the truth of India – India’s greatest identity is her composite culture. If you look at a Kashmiri Hindu and a
Kashmiri Muslim they have much more in common with each other because of their
cultural identity their Kashmiriyat – than a Kashmiri Muslim and a Muslim from
Tamil Nadu inspite of the fact that they share a common religion.
There is
much that needs our attention if we want the Idea of India to flourish. As
India seeks to become a global power we must also pause to ask which model of
development needs to be pursued. Who’s development and at who’s cost is a
question that begs to be answered. It cannot be the progress of a few at the
cost of many. One of India’s greatest challenges to me is that large
infrastructure projects need to be put in place to drive the engine of growth
but this will necessarily lead to displacement of large numbers of people.
Unless the principle of social justice is applied to resettling the displaced
no genuine development will be possible; in fact there will be social unrest
and chaos as has been witnessed in Nandigram and other places. The project
affected person asks “If I am displaced from the land of my birth for ‘the
greater common good’ then surely I have a right to demand that I am the first
beneficiary of that project or at least one of the beneficiaries”. Alas! such
is not the case as experience shows. We need economic progress without doubt
but the benefits also need to reach those sections of India where ‘the sun is
not shining’.
The vision
of Rahul Bose’s The Foundation is to see a world free of discrimination of all
forms. We know that in India all kinds of discrimination exist but what is
heartening is that a robust civil society and hundreds of NGOs are putting up
stiff resistance to work against discrimination of all kinds particularly
discrimination against women. Women are breaking their silence, women are
speaking the language of rights. Women are saying don’t call us Goddesses,
treat us as equal human beings and the change is perceptible. In Mijwan a tiny
village in UP Azamgarh where I work, girls as young as 8 and women as old as 80
are saying girls are equal to boys. Girls are refusing to be pushed into
marriage before the age of 18 and are aspiring to work and become self
sufficient.
There are
also our artists, some of them present here today who are fighting for the
right to freedom of expression and through their work have demonstrated that
Art knows no boundaries; Art soothes, Art excites, Art provokes. I believe Art has
the possibility of creating a climate of sensitivity in which it is possible
for change to occur.
The major
idea of India is inclusion – men and women, poor and rich, old and young,
tribal and urban all must become active participants in the polity who strive
for Equity, Justice, Agency and Empowerment.
India is
not a melting pot in which individual identities are submerged. Instead India
is a colourful mosaic in which individual identities are retained whilst
contributing to a larger whole. India will always remain more than the sum of
its parts.
The long
and the short of it is simply this – I am proud to be an Indian.
Thank you.
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